Yorum Yap
Lawrence`s finest, most mature novel initially met with disgust and incomprehension. In the love affairs of two sisters, Ursula with Rupert, and Gudrun with Gerald, critics could only see a sorry tale of sexual depravity and philosophical obscurity.
Women in Love is, however, a profound response to a whole cultural crisis. The `progress` of the modern industrialised world had led to the carnage of the First World War. What, then, did it mean to call ourselves `human`? On what grounds could we place ourselves above and beyond the animal world? What are the definitive forms of our relationships - love, marriage, family, friendship - really worth? And how might they be otherwise?
Without directly referring to the war, Women in L
Tükendi
Gelince Haber VerLawrence`s finest, most mature novel initially met with disgust and incomprehension. In the love affairs of two sisters, Ursula with Rupert, and Gudrun with Gerald, critics could only see a sorry tale of sexual depravity and philosophical obscurity.
Women in Love is, however, a profound response to a whole cultural crisis. The `progress` of the modern industrialised world had led to the carnage of the First World War. What, then, did it mean to call ourselves `human`? On what grounds could we place ourselves above and beyond the animal world? What are the definitive forms of our relationships - love, marriage, family, friendship - really worth? And how might they be otherwise?
Without directly referring to the war, Women in Love explores these questions with restless energy. As a sequel to The Rainbow, the novel develops experimental techniques which made Lawrence one of the most important writers of the Modernist movement.
